VIOLINIST | VIOLIST | MUSICOLOGIST
| Forthcoming events

25 May 2013

 

11am, Dorchester Abbey

Dorchester-on-Thames, Oxfordshire OX10 7HH

 

THE ENGLISH MUSIC FESTIVAL

 

HOWELLS: Sonata no.1 in E major for Violin and Piano, op.18
DELIUS: Sonata no.1 for Violin and Piano
BRIAN: ‘Legend’
DARKE: Sonata no.3 for Violin and Piano
FIRST PERFORMANCE OF NEW EDITION BY JONATHAN CLINCH
BRITTEN: Suite, op.6

 
Rupert Marshall-Luck (vn)
Matthew Rickard (pf)

Tickets: £17.50

Booking opens | 15 March 2013; 1 March 2013 for Friends of the EMF
Online | www.englishmusicfestival.org.uk/boxoffice.html
By post | by postal form to the Festival office

Debit/Credit cards | all major credit and debit cards accepted
Cheques | please make cheques payable to ‘The English Music Festival’

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27 May 2013

 

7.30pm, Dorchester Abbey

Dorchester-on-Thames, Oxfordshire OX10 7HH

 

THE ENGLISH MUSIC FESTIVAL: New Commissions

 

RICHARD BLACKFORD: ‘Spirited’
CHRISTOPHER WRIGHT: ‘Legend’
PAUL CARR: ‘And suddenly it’s Evening’†
PAUL LEWIS: ‘Norfolk Suite’
BEN PALMER: Sinfonietta
DAVID MATTHEWS: ‘White Nights’†
DAVID OWEN NORRIS: Symphony

 
Rupert Marshall-Luck (vn)†
The Orchestra of St Paul’s
Ben Palmer (conductor)

Tickets: £22.00

Booking opens | 15 March 2013; 1 March 2013 for Friends of the EMF
Online | www.englishmusicfestival.org.uk/boxoffice.html
By post | by postal form to the Festival office

Debit/Credit cards | all major credit and debit cards accepted
Cheques | please make cheques payable to 'The English Music Festival'

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29 June 2013

 

Jesus College

Cambridge CB5 8BL

 

PERFORMING EDITIONS: THE PERILS AND PRIVILEGES

Concerts can be enjoyable, stimulating and even intriguing experiences – but how exactly do the notes travel from the pen of the composer to the music-stands of the performers?  In this lecture, Rupert Marshall-Luck will describe the processes involved in preparing a musical work for publication from an autograph manuscript, exploring the difficulties of deciphering a composer’s true intentions from sometimes sketchy indications; and revealing some of the temptations that await an unwary editor.  He will also examine the ways in which such editions can be used by performers in preparing their interpretations – and prescribes for them a healthy dose of scepticism and imagination.

 

11 July 2013

 

Wyastone Concert Hall, Wyastone Leys, Monmouthshire

 

RECORDING SESSIONS FOR EM RECORDS

 

C. SCOTT: Sonata for Viola and Piano

World PremiÈre Recording

G. BANTOCK: Sonata no.3 in C major for Violin and Piano

 

Rupert Marshall-Luck (vn)

Matthew Rickard (pf)

Rupert Marshall-Luck and Matthew Rickard return to the recording studio for EM Records in a programme including two rarely heard early twentieth-century Sonatas: the energetic, yet enigmatic, Sonata in C major of Granville Bantock; and the richly colourful and dramatic Viola Sonata of Cyril Scott.

14 September 2013

 

7.00pm, St Peter’s Church

Church Street, Old Woking GU22 9JE

 

CONCERTS AT ST PETER’S

 

ARTHUR BLISS: Sonata for Piano and Violin
VAUGHAN WILLIAMS: 'Concerto Accademico'
(in Constant Lambert's arrangement for violin and piano)
HOLST: Five Pieces for Violin and Piano
HOWELLS: Sonata no.1 in E major for Violin and Piano, op.18
ELGAR: Sonata in E minor for Violin and Piano, op.82

 
Rupert Marshall-Luck (vn)
Matthew Rickard (pf)

Tickets will be available from 1 August from the concert series’ online Box Office.

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20 September 2013

 

7.30pm, Pittville Pump Room

East Approach Drive, Cheltenham GL52 3JE

 

EMF AUTUMN FESTIVAL: THE COTSWOLD CONNECTION

 

VAUGHAN WILLIAMS: ‘Concerto Accademico’
(in Constant Lambert’s arrangement for violin and piano)
BLISS: Sonata for Piano and Violin
HOLST: Five Pieces for Violin and Piano
HOWELLS: Sonata in B minor for Violin and Piano
WORLD PREMIÈRE PERFORMANCE

 
Rupert Marshall-Luck (vn)
Matthew Rickard (pf)

Tickets: £17.50; £10.00 (student conc.); £8.00 (child conc.)

By telephone | 0844 576 2210
Online | Please follow this link to book online

Debit/Credit cards | all major credit and debit cards accepted
Booking fees | £1.50 per online transaction; an additional £1.25 is payable for delivery of tickets, although they may also be held for collection at the venue free of charge

Tickets will shortly also be available from the EMF Events Box Office:

Online | www.englishmusicfestival.org.uk/events.html


Debit/Credit cards | all major credit and debit cards accepted
Booking fees | No booking fee; tickets may be posted at an additional cost of £1.50, although they may also be held for collection at the venue free of charge

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13 November 2013

 

Birmingham Conservatoire

Paradise Place, Birmingham, B3 3HG

 

From eyes to ears: using editions in performance

followed by Performance Classes

The purpose of any performing edition is to allow a performer to communicate to a listener a performance of a musical work as nearly as possible to the intentions of the composer.  However, the preparation of such an edition nearly always involves a degree of interpretation on the part of the editor – hence the conventions surrounding the use of editorial symbols in scholarly-critical editions.  In this seminar, some of the issues surrounding the performance of music from a scholarly-critical edition will be discussed alongside an examination of the stances available to the performer in relation to the edition; and the importance of the judicious application of scepticism and imagination will be emphasised.